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2020年01月23日 04:06:38 | 作者:58大夫 | 来源:新华社
Michael Bay has added Asian permer Han Geng to the cast of “Transmers ,” opposite Mark Wahlberg, Stanley Tucci, Kelsey Grammer, Nicola Peltz, Sophia Myles and Li Bingbing.《变形金刚系列导演迈克尔-贝宣布亚洲明星韩庚将加盟《变形金刚,出演该片的明星还有马克-沃尔伯格,史坦利-图齐,凯尔希-格兰莫,妮可拉-佩尔茨和中国女星李冰冰The director announced the casting on his web site www.MichaelBay.com. Bay has used his site to introduce nine of the vehicles he’s using in the tentpole, which began shooting in late May.迈克尔-贝在他的官方网站上公布了演员名单迈克尔-贝之前已经通过他的网站介绍了这部大片中的9辆汽车,影片已于5月底开始拍摄“He’s one of Asia’s top stars in the worlds of music, television and movies and has become one of the most influential entertainers in China,” Bay said. “Now he’ll also be known ‘Transmers .’ Welcome Han Geng to the cast of ‘Transmers .’”“他是最棒的亚洲明星之一,无论在音乐上,电视上还是电影中,他已经成为了中国最有影响力的明星之一,” 迈克尔-贝这样写道“现在他还将因《变形金刚而闻名,欢迎韩庚加入《变形金刚”Geng began his career with the Korean pop group Super Junior. Paramount has set a June 7, , release date.韩庚以韩国组合Super Junior 成员的身份出道走红派拉蒙公司宣布《变形金刚将于年6月7日上映 557The production company of hit TV drama ;Legend of Miyue; has issued a statement calling people to stop sping illegal downloads of the program.古装剧《芈月传的出品公司近日发布了一则声明,呼吁广大观众停止传播该电视剧的非法下载途径The statement comes as reports suggest that full episodes of the drama have been leaked online.据相关报道称,该声明发布之际,《芈月传全集资源已经被泄露在网上TV producer Cao Ping says they have taken legal action to safeguard their interests. ;We have called the police and the case has been accepted. The police have begun investigating and found some clues. The police are verifying the clues. We will fight against such illegal behavior ruthlessly. We hope netizens and audiences do not sp related sources.;《芈月传的制片人曹平表示,他们已经采取法律手段来维护自己的利益“片方已经报警了,公安局也立项正在查处此事,并且已经有了相关线索警方目前正在核实线索我们会和这种违法的行为作斗争同时我们也希望广大网民和观众不要去传播相关下载信心”;Legend of Miyue; is a period drama set in the Warring States period between the th and nd centuries .《芈月传是一部讲述故事背景发生在战国时期(公元前世纪至世纪)的连续剧The drama follows Mi Yue, a princess from the State of Chu, whose son becomes the king of the State of Qin and Mi Yue becomes the first empress dowager in history.这部电视剧讲述的是楚国公主芈月的传奇故事她的儿子后来成为秦国的大王,芈月也成为了历史上第一位太后The 81-episode drama stars Sun Li, Liu Tao, Gao Yunxiang and Jiang Xin. The show is currently aired by Beijing TV and Oriental TV during prime time. Viewers can also watch it through online platms like LeTV and Tencent Video.这部81集的电视剧是由孙俪,刘涛,高云翔和蒋欣等明星领衔主演现在该剧正在北京卫视和东方卫视首播观众也可以通过乐视网和腾讯网在网络平台上观看, 96

It’s a snowy, gloomy day, and Sherlock Holmes, dressed in his iconic Inverness cape and deerstalker cap, is on his way home to Baker Street.阴冷的天空飘着大雪,夏洛克輠尔斯身披他标志性斗篷,头戴猎鹿帽,正走在回贝克街的路上A new, ghostly mystery is on the super-sleuth’s mind. And that’s not the only thing that’s different about the latest episode of Sherlock.这位超级侦探的脑子里一直回荡着最近一起可怕的谜案不过这可不是最新福尔斯电影的唯一亮点Telegrams have replaced e-mails, and Holmes now finds himself in a horse-drawn carriage instead of a cab. The hit B TV series, which usually takes place in the present day, has transported its characters back to Victorian London, where author Arthur Conan Doyle’s classic tales were set.电报取代电邮,福尔斯发现自己竟坐在马车里,计程车去哪了?这部由英国广播公司出品的热门剧集将背景设定在现代,现在却将主人公穿越到了维多利亚时期的伦敦,那正是原著作者柯南匠尔给小说设定的年代The latest Sherlock special, The Abominable Bride, hit Chinese cinemas on Jan , and it’s a loving homage to Doyle’s original vision.最新《神探夏洛克:可恶新娘于1月日登陆中国影院,当然它还是对柯南匠尔原著的致敬Many of Doyle’s stories are spine-tinglers, full of fright and suspense. Yet, confined by its 1st century backdrop, the Sherlock series hasn’t been able to fully present some of Doyle’s gothic stories. But this time-traveling Sherlock special allows the production team to present a kind of story that was prevalent in Doyle’s era.道尔的小说充满了惊悚和悬疑,让人背脊发凉但是受到1世纪的年代限制,《神探夏洛克剧集无法完全呈现道尔原著中的哥特风格不过这次穿越版《神探夏洛克特别篇给了创作团队重现道尔时代流行故事的机会“If you want to do a ghost story, you’ve got to go Victorian,” Sherlock show-runner Steven Moffat told Vanity Fair magazine. “There’s a lot of fog.”“如果你想讲鬼故事,那就得去维多利亚时代,”《神探夏洛克制片人史蒂芬莫法特告诉《名利场杂志“那时(伦敦)大雾朦胧”To adapt to Sherlock’s new Victorian setting, the show’s protagonists have made a few personality adjustments.为了配合《神探夏洛克的维多利亚时期剧设,主人公的性格也要相应做出调整Actor Benedict Cumberbatch’s Sherlock Holmes becomes “a little more polished” in his role as a Victorian gentleman. Meanwhile, Holmes’ sidekick John Watson, played by Martin Freeman, is “more uptight”, said Moffat.莫法特透露,演员本尼迪克特康伯巴奇饰演的夏洛克輠尔斯变得“更加优雅”,以符合他维多利亚时期绅士的人设同时,福尔斯的助手约翰丠生(马丁弗里曼饰)则会变得“更加焦躁”What’s remarkable about The Abominable Bride is the freedom with which it explores modern-day themes, in spite of its Victorian backdrop.虽然故事设定在维多利亚时期,《可恶的新娘最值得称道的是它探讨的现代主题下的自由Spoiler alert here! The ghostly bride turns out to be a group of betrayed women who attempt to punish their abusive male lovers and defend their rights. In other words, the bride is the idea of feminism, and her appearance coincides with the birth of the suffragettes in Victorian England.注意,前方剧透!幽灵新娘其实只是一群被男人抛弃的妇女,她们要惩罚背叛她们的男人,维护自己的权利换句话说,新娘就是女权主义的化身,她的出现同维多利亚时期英格兰兴起的妇女参政论不谋而合And there’s an additional twist in the story’s plot. The show’s time travel is actually a hallucination, brought on when Holmes has a drug overdose.电影版还添加了一些反转的剧情故事中的穿越其实只是福尔斯过量用药物后致幻反应Despite all the acclaim the show has received, some viewers have complained about the special episode’s confusing, time-jumping plot. But the key elements in Sherlock stay the same.尽管该片受到了不少赞誉,还是有不少影迷抱怨特别篇剧情混乱、时间线索不连贯不过还好,《神探夏洛克的精髓还在Sherlock and Watson’ s brilliant detective work doesn’t change. And more importantly, the duo’s fast-talking friendship remains intact.卷福和华生绝妙的推理还在更重要的是这对好基友打嘴仗式的友谊依旧坚固“You’re Sherlock Holmes, wear the damn hat,” Watson quips, shoving the deerstalker in Sherlock’s face. It’s a familiar line, delivered in an unfamiliar setting.华生把猎鹿帽扔在卷福脸上,讥笑他:“你是带着难看帽子的夏洛克輠尔斯”完全不同的背景下是熟悉的台词 07

The film critics of The New York Times — Manohla Dargis and A. O. Scott — share their picks the best movies of the year.时报影评人曼诺拉·达吉斯(Manohla Dargis)与A·O·斯科特(A. O. Scott)分享他们挑选的年度最佳电影A. O. ScottA·O·斯科特Like a lot of critics, I chafe against the arbitrariness of lists even as I recognize their utility. Since I can never stop at — how could I, when something like 900 movies were released in North American theaters? — I picked to match the year, ranked them and ended up fudging that count. So maybe technically it’s a top . The slots with more than one title aren’t ties, but double features, paired movies that complement, contend with or amplify each other’s best qualities.和许多家一样,我一方面了解清单的便利,一方面也讨厌清单的专横所以我永远不可能只列出十部――我怎么做得到呢,北美影院一年就要上映900多部影片呢――今年是年,所以我挑选了部,为它们分门别类,计数时做了一点含糊,所以最后其实是部其中有两部片名的不代表并列,而是代表有两种特色,可以成对观看,二者的优点相映成趣1. “Timbuktu”(Abderrahmane Sissako)1.《廷巴克图,导演:阿伯德拉马纳·希萨柯(Abderrahmane Sissako)Mr. Sissako is both an indispensable political filmmaker and one of the great poets of contemporary cinema. His portrait of life under jihadi rule in northern Mali is brutal and shocking, but also gentle, generous and surprisingly funny. Mr. Sissako does not humanize violent extremists so much as demonstrate that they aly belong to the species and reflect part of our common, tragic nature. But his movie also insists that the only effective and ethically serious way to oppose fanaticism is with humanism. Which is to say with irony, with decency and, perhaps above all, with art. (Read the review.)希萨柯既是一位不可或缺的政治导演,也是当代电影中的伟大诗人之一他为北部马里圣战者管辖之下的生活所绘的图像既残酷又惊人,但也温柔、慷慨儿惊人的有趣希萨柯并没有把暴力极端分子人性化,而是展示出,他们已经成了这种人,也反映出我们身上普遍的、悲剧的天性但他的影片还坚持认为,反对狂热主义,唯一有效而且道德的方式就是人道主义他以反讽而正直的方式言说了这一观点,或许最重要的是,以艺术的方式言说了这一观点. “Inside Out” (Pete Docter). 《头脑特工队,导演:彼得·道格特(Pete Docter)This journey into the mind and feelings of an -year-old-girl may be Pixar’s wildest adventure yet. It’s a very funny workplace sitcom (with exuberant, touching permances from Amy Poehler, Phyllis Smith, Mindy Kaling and others), an ingenious allegory of psychological development, and an almost unbearably moving and honest defense of the role of sadness in our lives. (Read the review.)这段深入岁女孩心灵与情感的旅程可能是皮克斯迄今最疯狂的冒险这是一部非常有趣的工作场合情景喜剧,艾米·波勒(Amy Poehler)、菲利丝·史密斯(Phyllis Smith)和敏迪·卡灵(Mindy Kaling)等人带来了精感人的演出,这是一则关于心理发展的精巧语言,也是对于悲伤在我们的生活中所扮演的角色的一种感人而诚恳的辩护3. “Spotlight” (Tom McCarthy)3. 《聚焦(Spotlight),导演:汤姆·麦卡锡(Tom McCarthy)“The Big Short” (Adam McKay)《大空头,导演:亚当·麦凯Two terrifically entertaining, ensemble-driven, fact-based procedurals about appalling crimes and the institutions — the Roman Catholic Church and Wall Street banks — that allowed corruption to fester. In addition to mustering righteous anger, Mr. McCarthy and Mr. McKay, in very different ways, managed to infuse the routines of modern work (answering phones, typing on keyboards, scrutinizing spsheets) with suspense, emotion and moral gravity. 这两部极具性,追求整体效果,建立在事实基础上的程序剧(procedural)都是关于惊人的犯罪与腐败滋生的大型机构的故事——一个是关于罗马天主教会,一个是关于华尔街除了激发起正直的愤怒,麦卡锡与麦凯以不同的方式,把悬疑、情感和道德的分量融入到接电话、敲键盘、读报表等现代日常工作中去. “Heart of a Dog”(Laurie Anderson). 《心(Heart of a Dog),导演:劳瑞·安德森(Laurie Anderson)A meditation on love, loss and the meaning of life. Dog people and Lou Reed fans will be especially susceptible (I plead guilty on both counts), but anyone who ever had a heart is likely to succumb to Ms. Anderson’s ethereal wisdom and her fierce mal wit. 对爱、丧失与人生意义的沉思喜欢的人与卢·里德(Lou Reed)的歌迷会特别容易受感动(我向双方都承认错误),但是任何有心人都会为安德森女士轻盈的智慧与极为庄重的风趣所打动5. “Carol” (Todd Haynes)5. 《卡罗尔,导演:托德·海因斯37| “Anomalisa” (Charlie KaufmanDuke Johnson)|《失常,导演查理·考夫曼(Charlie Kaufman)与杜克·约翰逊(Duke Johnson)The finest romance and the most acute anti-romance of the year, from some of the most rigorous intellects in American movies. The relationship between them is perhaps best summed up in this poem by William Blake, called “The Clod and the Pebble”:这是今年最精致的浪漫电影与最尖锐的反浪漫电影,均来自美国电影界最缜密的聪明人两部影片之间的关系最好用一首威廉·布莱克(William Blake)的诗歌来总结——《土块与卵石(The Clod and the Pebble)6. “Taxi”(Jafar Panahi)6. 《出租车(Taxi),导演贾法·帕纳西(Jafar Panahi)The Iranian dissident filmmaker, posing as a (barely competent) Tehran cabdriver, stages a sly, pseudo-documentary inquiry into the paradoxes of cinema and the contradictions of everyday life under authoritarian rule. 伊朗持不同政见电影人扮演一个几乎不合格的德黑兰出租车司机,带来一部狡猾的伪纪录片,深入探讨电影的悖论,以及专制统治下日常生活中的矛盾7. “Out 1: Noli Me Tangere”(Jacques Rivette) 7. 《出局:禁止接触(Out 1: Noli Me Tangere),导演:雅克·里维特(Jacques Rivette)It took almost 5 years this -hour shaggy-dog experiment to reach American screens, but the timing turned out to be perfect. Mr. Rivette’s mischievous ramble through Paris, French literature and a handful of perennial philosophical puzzles (What is the nature of reality? How do we know what we know? What is the relation of effect to cause?) is both a charming, newly rediscovered artifact of its hectic time and a bulletin from the cinematic future. Everything has aly been done, and everything is still possible. 这部个小时的,关于长毛经历的影片花了5年才来到美国的影院,但时机却恰到好处里维特先生淘气地在巴黎、法国文学与若干永恒的哲学谜题(真实的本质是什么,我们怎么知道我们知道,因与果之间的联系)之间徜徉,它既是一个迷人的,被重新发觉饿出来的艺术品,片长简直疯狂;与此同时,也警示着电影的未来一切都已经做过了,一切都仍然是可能的 1

‘TIS the season of office parties, but there won’t be many this Christmas which are as elaborately debauched as those in “The Wolf of Wall Street”. In Martin Scorsese’s riotous new biopic, no dress-down Friday is complete without black-tied waiters serving champagne, crowds of prostitutes, near-naked marching bands, games of dwarf-tossing and white powder by the barrel-load.“现在正值办公室派对的季节,但是今年圣诞节并不会见到多少电影《华尔街之狼中那种纸醉金迷的派对”在马丁·斯科塞斯浮华喧嚣的新传记片中,如果没有出现端着香槟的黑领结务生、成群结队的、近乎裸体的军乐队、扔侏儒的游戏和成桶的白粉,便装星期五就不算完整The master of the revels is the film’s protagonist and unrepentant narrator, Jordan Belt (Leonardo DiCaprio), upon whose self-aggrandising memoir the film is based. In his early s he joins a major stockbroking firm, but his coked-up mentor (Matthew McConaughey) has barely finished his introductory pep-talk—“Move your money from your client’s pocket into your pocket”—bee Black Monday comes around and Belt is laid off. When he can’t find another job on Wall Street, he resorts to selling penny stock from a boiler room in Long Island. He develops such a taste aggressive and disingenuous cold-calling that he sets up his own company, Stratton Oakmont. His staff consists of a crack-smoking furniture salesman (Jonah Hill) and the various drop-outs he knows from school. Everyone is willing to follow the scripts he gives them, and they are just as willing to ignore his various illegal practices. Soon Stratton Oakmont is raking in millions—as well as attracting the attention of a doggedly disapproving FBI agent (Kyle Chandler).这场狂欢派对的主人公就是电影的主角、毫不悔改的旁白者乔丹·贝尔福特(莱昂纳多·迪卡普里奥饰演),这部电影正是改编于他自吹自擂的回忆录他在岁出头加入股票经纪公司,不过他沉迷毒品的导师(马修·麦康纳饰演)刚做完入职宣传——“这行就是把钱从客户的口袋里放进你自己的口袋”,黑色星期一就从天而降,贝尔福特遭到解雇他在华尔街找不到其他工作,只好在长岛的锅炉房里卖低价股票他学会了主动出击,假模假式地拨打推销电话,成立了自己的斯特拉顿奥克芒公司他的手下包括吸毒的家具推销员(乔纳·希尔饰演)和他在学校里认识的辍学生每个人都情愿照他提供的剧本演戏,对他的各种不法行为视而不见不久,斯特拉顿奥克芒公司就赚取了百万美元的收入——也引来了固执的联邦调查局探员(凯尔·钱德勒饰演)的注意Mr Scorsese is less disapproving. Having last made a children’s film, “Hugo”, perhaps he was in the mood some swaggering, testosterone-drenched, adult-oriented entertainment. Whatever the reason, “The Wolf of Wall Street” is his most exuberant and overtly comic film: a frequently hilarious, manically energetic cavalcade of drug cocktails, naked blondes, helicopter crash-landings, and obscene spending sprees. It isn’t just studded with wild parties; the whole film is a wild party.斯科塞斯本人并不反对贝尔福特的所作所为在拍完儿童电影《雨果后,也许他想要执导一部狂妄自负、充满男子气概的成人化片无论如何,《华尔街之狼都是他最活力四射、欢乐有趣的电影:频繁出现的滑稽镜头,疯狂刺激的毒品鸡尾酒、赤身裸体的金发女郎、轰鸣着陆的直升机,还有纵情声色的疯狂消费这并不仅是一部充满狂欢派对的电影,这部电影本身就是疯狂派对Still, the rowdiest parties are also the most tiring. “The Wolf of Wall Street” is, essentially, a string of hair-raising anecdotes, and while all of them are funny, outrageous and masterfully told, very few of them advance the plot or deepen the characterisation, so they become exhausting. It takes about half an hour the hard-working Dr Jekyll to mutate into a hedonistic Mr Hyde, and from then on the film just keeps charging from one orgy to the next until the inevitable day when the FBI agent makes his move. It’s a wisp of a narrative, given the three-hour running time—Mr Scorsese’s longest ever.然而,最喧闹的派对也最让人厌倦实际上,《华尔街之狼表现了一连串惊心动魄的奇闻轶事,尽管这些情景风趣搞笑、荒唐离谱、叙事巧妙,却只有少数场景有助于推动情节的进展,挖掘角色的深度,让人变得疲惫不堪这部电影只花了半个小时的时间,就把辛勤工作的杰奇士变成纵情享乐的海德先生,然后就是接二连三的狂欢盛宴,直到联邦调查局探员采取行动,走向不可避免的结局本片的叙事情节乏善可陈,片长却达到三个小时——这是斯科塞斯有史以来最长的电影Anyone who’s seen “Raging Bull” or “Goodfellas” will be waiting the film to dig beneath the surface of the alpha-male anti-hero, and expose the self-loathing that makes him so reliant on drugs, prostitutes and designer suits. But the screenplay (by Terence Winter) is too carried away by the bacchanalian bad behaviour to concern itself with Belt’s psyche. Instead, it presents him much as he’d present himself, and leaves the moralising to the viewer.看过电影《愤怒的公牛或《好家伙的观众,都会期待这部电影深入挖掘反英雄表象下的内涵,暴露让主角沉迷于毒品、和名牌西的自我厌恶但是泰伦斯·温特的剧本描写纵酒狂欢的笔墨过多,无心关注贝尔福特的心理状态反之,这部电影用贝尔福特自己的方式呈现了他的形象,把道德说教留给了观众Why is “The Wolf of Wall Street” so soft on Belt? Maybe it’s because Mr Scorsese, too, was a New Yorker from an unglamorous background who barged into the big time with motormouthed assurance bee developing a severe cocaine addiction. When Belt is shown handing out scripts to his employees, and pumping them up with inspirational speeches, he could be a film director himself: the uninhibited, live-wire Mr DiCaprio sometimes even looks and sounds like a younger Mr Scorsese. But whatever the similarities between Mr Scorsese and Belt, the latter was still nothing more than a dissolute swindler—and that’s about all the film has to say on the matter. Still, it is possible to enjoy the rip-roaring party Mr Scorsese has thrown him without feeling that he is interesting enough to deserve it.为什么《华尔街之狼对贝尔福特如此纵容?或许是因为斯科塞斯也是出身平凡的纽约人,凭借出众的口才成为大导演,沉迷于可卡因不能自拔片中贝尔福特向员工分发脚本,用鼓舞人心的演说激励他们,他可能就象征着导演本人:放荡不羁、活力四射的迪卡普里奥,容貌和言辞都如同年轻的斯科塞斯然而,无论斯科塞斯和贝尔福特有多么相像,贝尔福特依然是个放浪形骸的骗子——这就是电影要体现的主题尽管如此,观众仍可以享受斯科塞斯全力打造的这场喧嚣派对,不会感到他足够有趣配得上这场盛宴 3738

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